The
structure of Music Video Rethinking Narrative Analysis
- Traditional narrative analyses do not apply to pop videos because they approach narrative from different angle to novels and films.
- The reasons:
- Pop videos do not pose traditional narrative structures. (They go with recorded songs)
- The singer is a narrator and a character
- The singer often looks at the camera to try and involve the viewer
- Intertextuality: The repetition in songs of parts or rhythms of other songs so that we become familiar with the genre and have certain expectations.
- Pop songs have a form of closure and ending.
- A music video may go beyond the original meaning.
- Sometimes, music videos may promote films.
- There are three types of relations between songs and videos:
- Pop videos often have easily recognisable features.
- The male gaze, where women are represented as objects, is a feature of heavy metal and hip hop videos.
- In some videos, the different instruments in the music are represented by different objects.
- Music videos want to keep their target audience as well as trying to appeal to a wider audience. For example, older bands may show themselves in the 60s or 70s so that they can appeal to an older audience.
- Videos that are from songs written for particular movies often incorporate images from that movie in the video. For example, Celine Dion -My Heart Will Go on- from Titanic.
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